The haunting follow up to the Edgar Award-winning debut "In the Woods" Tana French astonished critics and readers alike with her mesmerizing debut novel, "In the Woods." Now both French and Detective Cassie Maddox return to unravel a case even more sinister and enigmatic than the first. Six months after the events of "In the Woods," an urgent telephone call beckons Cassie to a ...(展开全部)

The eagerly anticipated follow-up to the New York Times bestselling psychological thriller In the Woods Six months after the events of "In the Woods," Detective Cassie Maddox is still trying to recover. Sheas transferred out of the murder squad and started a relationship with Detective Sam OaNeill, but sheas too badly shaken to make a commitment to him or to her career. Then S...(展开全部)

The eagerly anticipated follow-up to the New York Times bestselling psychological thriller In the Woods Six months after the events of "In the Woods," Detective Cassie Maddox is still trying to recover. Sheas transferred out of the murder squad and started a relationship with Detective Sam OaNeill, but sheas too badly shaken to make a commitment to him or to her career. Then S...(展开全部)

The haunting follow up to the Edgar Award-winning debut "In the Woods" Tana French astonished critics and readers alike with her mesmerizing debut novel, "In the Woods." Now both French and Detective Cassie Maddox return to unravel a case even more sinister and enigmatic than the first. Six months after the events of "In the Woods," an urgent telephone call beckons Cassie to a ...(展开全部)

Description is the novelistic technique charged with establishing a common world, but in the early twentieth century, there was little agreement about how a common world could be known and represented. Zhang argues that the protagonists in her study responded by shifting description away from visualizing objects to revealing relations—social, formal, and experiential—between di...(展开全部)

Description is the novelistic technique charged with establishing a common world, but in the early twentieth century, there was little agreement about how a common world could be known and represented. Zhang argues that the protagonists in her study responded by shifting description away from visualizing objects to revealing relations—social, formal, and experiential—between di...(展开全部)

Detective Cassie Maddox is still trying to deal with the events of In the Woods. She is out of the Murder Squad and has started a relationship with fellow detective Sam O'Neill but is too badly shaken to commit to Sam or to her career. Then Sam is allocated a new case, that of a young woman stabbed to death just outside Dublin. He calls Cassie to the murder scene and she finds ...(展开全部)

Detective Cassie Maddox is still trying to deal with the events of In the Woods. She is out of the Murder Squad and has started a relationship with fellow detective Sam O'Neill but is too badly shaken to commit to Sam or to her career. Then Sam is allocated a new case, that of a young woman stabbed to death just outside Dublin. He calls Cassie to the murder scene and she finds ...(展开全部)

A tense, page-turning psychological drama about the making and breaking of a family—and a woman whose experience of motherhood is nothing at all what she hoped for—and everything she feared

蕾切尔·库什纳，1968年生于俄勒冈州，毕业于加州大学洛杉矶分校，后获得哥伦比亚大学艺术硕士学位，长期从事艺术领域的报道。 库什纳的第二部长篇小说《喷火器》获2013年度美国国家图书奖最终提名，也是《纽约时报》2013年度小说。她的处女作长篇《来自古巴的电报》获得2008年度美国国家图书奖最终提名，荣登《纽约时报》畅销榜和年度好书榜。 她的小说已被翻译成15种语言，她的小说、散文可见诸《纽约客》《哈泼斯》《纽约时报》《巴黎评论》等报刊。 蕾切尔·库什纳获得2013年度古根海姆奖金，现居洛杉矶。